By Jove.

Yesterday, Miss Snark posted a question about how one would go about writing a short hook for a novel with multiple protagonists. Being that my novel has two main protagonists who kind of serve as shadow selves of each other, this is a question I've been pondering myself. When I was writing my hook for my Crapometer entry back in December, I couldn't figure out how to fit both of my protags and their distinct storylines into 300 words or less, so I ended up picking the one that gives the best idea of the overall plot. That didn't go over so well, and it gave a lot of people the wrong idea of what my book's about.

This new discussion got me to obsessing about my hook again. It may seem a little premature to do so, seeing as how the book's only a third of the way done, but as I'm sure I've said before here at some point, I think writing a hook is a good exercise for honing your plot and figuring out exactly what your story's about. Plus, it's motivating. At least for me.

So after obsessing on it all night, I think I've got it: a hook that includes both of my protagonists and their separate stories, as well as the overarching plot that combines them. I did it in about 400 words. I'd like to whittle it down by 50-100 words if I can figure out how to do so without losing the integrity of the thing. At least I've still got plenty of time to pare it down.

As Michael Chambers wraps up the last day of shooting his hit supernatural TV series before it goes on summer hiatus, he's looking forward to some down time before beginning publicity tours and summer film projects; but when his ex-girlfriend and current personal assistant shows up with her cat in tow needing a place to stay, he's too nice a guy to refuse her. When he accidentally lets her cat run away, he's too responsible not to go look for it. When the cat turns out to be a shape-shifting trickster who abducts Michael and delivers him to the militant daughter of the Faerie Queen, he's too wigged out to stick around and hear what she wants. And when his attempts to get home reveal a hidden Faerie world full of violence and terror that is about to spill over into his own world, Michael must decide whether he's too much of a coward to take part in the princess's plan to prevent it.

The trickster has been tricked. The pooka, a shape-shifter who gets his kicks playing cruel practical jokes, has met his match in the princess. He must now perform three tasks to win back his freedom. The first two are simple: get close to the actor, and bring him to the princess. It's the third that proves a challenge, as he must pose as Michael and carry on his life so that no one notices he's gone. The pooka's weakness for human women, and the consequences he would face for indulging that weakness, have for ages kept him from impersonating a human, so he's a little out of practice. The only person close enough to Michael to unwittingly provide the pooka with the guidance he needs is Claire, Michael's beautiful assistant, who is still struggling with feelings for her former lover. The pooka just wants to finish his task and get out of this mess with his immortality intact so that he can return to the simple life of pleasing only himself.

As one world stands on the brink of a war which would bring destruction to the other, Michael's and the pooka's paths eventually intertwine as one discovers the mystery of his past and what it means to possess true power, one discovers the mysteries of humanity and what it means to love someone other than himself, and both discover the sacrifices required of those who would be heroes.

I'm excited about this hook. Looking at it as objectively as possible, this describes a book I would love to read. That means it's a book I'd also love to have written. That last part is what's going to keep me going when I find myself slogging through the second act, trying to fit all of the pieces together and in desperate need of a second wind.